Friday 19 December 2014

DIGI PAK INFORMATION


TOM HIGGENSON – LEAD VOCALS
DAVE TIRIO – RHYTHM GUITAR
TIM LOPEZ – LEAD GUITAR, BACKING VOCALS

MIKE RETONDO – BASS GUITAR, BACKING VOCALS

DE’MAR HAMILTON – DRUMS

CREDITS

PRODUCED - ARIEL RECHTSHAID

RECORDED – HARD DRIVE STUDIO
PUBLISHED – HOLLYWOOD, FEARLESS

LYRICIST - TOM HIGGENSON
COMPAOSED – TOM HIGGENSON

TRACKS 
 
HEY THERE DELILAH
RHYTHM OF LOVW
I REALLY DON’T LIKE YOU
TAKE ME AWAY
1,2,3,4
BREAKDOWN
LAZY DAY AFTERNOON

WITH THANKS TO
ARIEL RECHTSHAID, HARD DRIVE STUDIO, HOLLYWOOD FEARLESS, LOREN ISRAEL, DANNY WILDE, SHELLY PEIKEN

UNDER EXCULSIVE LICENSE TO HARD DRIVE STUDIO
ALL RIGHTS RESERVED. PUBLISHED BY HOLLYWOOD FEARLESS

FACEBOOK.COM/PLAINWHITET
@PWTS

 This album was born through the friendship of five guys, starting out when they were only teenager boys and breaking into the music industry like no other band had before at such a young age. They’ve had their fair few heart breaks, drunken nights, fallings out and hung-over mornings together leading to the distinct album ‘Hey There Delilah’. An international tour in 2003 with the meet and greats of all their wonderful fans left Tom inspired about one specific girl… Delilah…true love? Promising to write a song in the future the band have got together for another time to keep to their promise, practising for hours and visiting London land marks for inspiration the single had evolved. 50,000 miles, 50 Cities, 44 Encores and numerous early morning fry up’s the guys have made it. Giving you the fans the song like none other, a personal look into the boys lives.  

Monday 8 December 2014

Music Video Draft One



This is the first draft for my performance half of my music video. I have began to order the shots I believe are visually interesting along with lip syncing them to the audio. I have made no colour correction edits yet or black and white filters to this half of my music video which is my intention. This is because I believe at the moment I need to ensure that the shots are all included and in time with the audio. I will then begin to edit the frames themselves.

When looking at the first draft I am aware I need to make improvements and have a wider variety of shots. I have considered the music video so far and have come to the conclusion that I need to observe and re lip sync parts of the footage as well as remove and replace parts I am not happy with. An example being when the artist sings "Hey There Delilah" and is not only late on his intro but laughs. Furthermore, I also need to begin to add the narrative part of my music video to the video with the footage of the female character.

So far I believe that I am on track to making the music video that I have set out to achieve, allowing the audience to relate to the artists personal experience. A small critique would be I need to consider changing the shots faster due to the slow paced song.

Some thoughts for my next upload and draft would be to include narrative parts of icon London scenes and the female character to get a better idea of what the video is beginning to look like.  

Wednesday 3 December 2014


SO FAR...
I have been placing my raw footage into the software I will be using to edit my music video and beginning to edit my music video together. I have been choosing my frames which I feel are visually interesting.